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And Then Came Lola



Talented but constantly distracted photographer Lola (Ashleigh Summer) is on the verge of success in both love and work. She could lose it all if she doesn’t make it on time to a crucial business meeting with her new girlfriend (Jill Bennett) and her sultry and seductive client (Cathy DeBuono). But, as usual, Lola is late. With her job and girlfriend on the line, she has three chances to make it right. In a desperate race through the streets of San Francisco, time grows short - can Lola make it passed ex-lovers, wannabe girlfriends and part-time stalkers? And should she arrive too late will she loose the job and her girlfriend?



Better than Chocolate







Destined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of Mafia money.

BBut I'm a Cheerleader



But I'm a Cheerleader is subversive, smart and extremely funny, but not entirely original. Megan Williams (Natasha Lyonne) is a good Christian cheerleading girl. She doesn't think it at all strange that she can't get the image of tumbling cheerleaders out of her mind while her football player boy friend is trying to French kiss her. But her parents, played respectively by Bud Cort (Brewster McCloud) and John Water' s regular Mink Stole, have noticed Megan's odd behaviour and arrange an intervention. They send her off to New Directions, a sexual rehabilitation camp run by a straight-laced school madam, Mary (Cathy Moriarty), where she is forced to come to terms with her lesbian tendencies. But while on a strict regime of corrective therapy, Megan falls head over heels f or surly dyke, Graham--played by Clea DuVall (The Astronaut's Wife)--and is forced to reassess whether straight really is great. The zany script and over-the-top characterisations have the feel of a John Waters comedy; The day-glo sets and costumes give the film a surreal Pee Wee's Playhouse feel and Lyonne is charmingly dizzy and bewildered throughout. RuPaul excels as Mike, a former gay exercise trainer, and Moriarty out-camps them all.


In the dark and twisting alleyways of dickensian London the stories of two very different young women collide with terrifying consequences...

Twenty year old petty thief, Sue Trinder, is part of an elaborate scam to defraud a wealthy heiress, Maud Lilley, of her inheritance. Encouraged by Mrs. Sucksby who has looked after her since she was orphaned, Sue assists conman Richard Rivers in his bid to elope with Maud before having her committed to a madhouse and claiming her fortune for himself.

But Sue's plans are turned upside down when she falls in love with Maud… and the tale twists further as the young women are separated just as they begin to realise the strength of their passion for each other


Fried Green Tomatoes At The Whistle Stop Cafe










Desert Hearts


lesbian love affair, based on Jane Rule's 1964 novel Desert of the Heart. Helen Shaver stars as Vivian Bell, an uptight 35-year-old Columbia University professor who travels to Reno to get a divorce. She arrives in Reno on her way to Frances Parker's (Audra Lindley) ranch, where she is staying to establish six weeks of residency in order to obtain the divorce. Once at the ranch, Vivian catches the fancy of Frances's adopted daughter Cay (Patricia Charbonneau), a casino worker ten years younger than herself. Vivien tries to remain unruffled as Cay makes unabashed overtures to her. Cay thinks that all Vivian needs is the love of another woman, and soon enough the two are in each other's arms.

Gray Matters



Hannah Free

Hannah and Rachel grew up as little girls in the same small Midwest town, where traditional gender expectations eventually challenge their deep love for one another. Hannah becomes an adventurous, unapologetic lesbian and Rachel a strong but quiet homemaker. Weaving back and forth between past and present, the film reveals how the women maintained their love affair despite a marriage, a world war, infidelities, and family denial.


Here Come The Girls




Nine up-and-coming and established female filmmakers bring you a refreshing variety of shorts that look at all aspects of lesbian life and love, from contemporary scenarios of mistaken identity and bedroom hang-ups to period pieces concerning secret rendezvous and forbidden relationships.

Sobering issues such as racial stereotypes and domestic violence are also touched upon, as are tales of wistful romance and teenage friendships boiling over into sexual desire. The collection features work from acclaimed writers/filmmakers Guinevere Turner (The L Word, Itty Bitty Titty Committee, American Psycho) and Roberta Munroe (How Not To Make A Short Film), actresses Nathalie Toriel (Finn's Girl) and Lucy Liemann (Moving Wallpaper, Reggie Perrin) and British performance artists Bird La Bird, Dyke Marilyn and Split Britches.



Here Come The Girls





Here Come The Girls



IImagine Me and You


Rachel (Piper Perabo) and Heck (Matthew Goode) are a seemingly blissfully happy married couple. However, Rachel is masking some Sapphic thoughts after eyeing Luce, the wedding florist (Lena Headey), during the ceremony. As luck would have it, one of Heck's male friends, Cooper (Darren Boyd), has fallen for Luce, allowing her and Rachel to meet socially and to consider consummating their desire for one another. A mainstream romantic-comedy with a twist, Ol Parker's Imagine Me and You stands out from the generic pack thanks to its gay-themed subject matter. The movie is as light and fluffy as the average movie in the genre, but as viewers scoop a mouthful of popcorn they may find their expectations subtly altered. Imagine Me and You sees Hollywood taking a tiny step towards embracing homosexuality in a thoroughly mainstream movie.



Kiss Me


When Mia and Frida s eyes meet for the first time at a party the attraction is instant. However, Mia is engaged to be married to a man she believes she loves so acting on anything seems out of the question. When subsequent circumstances throw the two women together, openly gay Frida finds it impossible to resist seducing Mia, and Mia finds it impossible to resist. Soon, Mia must choose between following her heart or fulfilling everyone else s expectations of her.


Lip Service

Series 1 -2011


The British L- Word
Lip Service is a bold new lesbian drama created by Harriet Braun (Mistresses, Attachments) and follows the lives and loves of a group of twenty-something friends living in Glasgow. Meet Cat (Laura Fraser – A Knights Tale) a self assured architect whose life is spun upside down when her former lover Frankie (Ruta Gedmintas, The Tudors), a talented but emotionally reckless photographer, reappears in Glasgow unannounced after disappearing two years earlier. Tess, Cat’s best friend and flatmate, has a proven track record of falling for the wrong sorts of women, including sultry Lou (Roxanne McKee, Hollyoaks).


Lip Service

Series 2  - 2012 2


i was starting to hate it and then Cat got killed, and I loved it thereafter. 

L Word

Series 1

L Word

Series 2



L Word

Series 3


L Word

Series  4


L Word

Series 1



Lost And Delirious


Shy, unassuming teenager Mary 'Mouse' Bedford (Mischa Barton, The OC) is enrolled at a prestigious all girls' boarding school hidden away amongst lush countryside forest. Upon arrival, she is welcomed by her two roommates, the carefree and impressionable Tori (Jessica Paré, Wicker Park) and excitable, temperamental Paulie (Piper Perabo, Imagine Me And You). Mary soon discovers that Tori and Paulie are deeply in love with one another, yet when Tori's younger sister finds out, and threatens to break the secret to her friends and family, Tori breaks off the relationship. Unable to deal with losing the other half to her whole, Paulie will do anything to get her girlfriend back, even if it means risking her life.

Loving Annabelle


Rebellious Catholic schoolgirls, hidden secrets and a controversial romance all unfold in the newest addition to the lesbian cult classic canon. Loving Annabelle is the controversial story of a Catholic boarding school teacher who has an affair with her female student, Annabelle. Inspired by the 1931 German classic 'Maedchen In Uniform,' director Katharine Brooks's 'Loving Annabelle' gives a modern telling of the forbidden love story that continues to be controversial to this day

Oranges Are Not the Only Fruit

Jeanette Winterson's semi-autobiographical novel  transfers wonderfully to the screen in this BBC adaptation (with a screenplay by Winterson). Jess is the adopted daughter of evangelical Christians living in the northwest of England in the 1960s. Her mother wants Jess to be a missionary, but when she falls in love with Melanie, Jess begins to realise that there is more to life than church. When Jess' mother begins to suspect the girls of "unnatural passions" she tries to destroy their relationship with the help of Pastor Finch (Kenneth Cranham) and his congregation. But their efforts--including a terrifying attempt at exorcism--only push Jess further away. Jess eventually understands that the only way to survive is to escape, and she sets her sights on a place at Oxford

Portrait of a Marriage

Set in 1918, writer Vita Sackville-West and British aristocrat Harold Nicolson are a golden couple, who socialised in high society literary circles and whose friends included Virginia Woolf and T S Elliot.

Married in 1913, their love endured and deepended over the course of their 50 years together. Each, however, was knowingly and repeatedly unfaithful to the other, Vita most famously with fellow writer Virginia Woolf. But only one affair threatened their union: Vita's tempestuous liaison with her childhood friend Violet Keppel.

This 1990 BBC drama is the story of that affair based on an extraordinary literary biography by Nigel Nicolson, Vita and Harold's son


The Secret Diaries of Miss Anne Lister

In nineteenth century Yorkshire wealthy orphan Anne Lister lives with an aunt and uncle, anxious for her to marry well and blissfully unaware that she is a lesbian,recording her thoughts and exploits in a coded diary. When her lover Mariana Belcombe makes a marriage of convenience to rich old Charles Lawton,she feels betrayed and,although Mariana visits and has sex with her,the relationship is going nowhere. Helped by old flame Tib she makes a play for innocent Miss Browne but sees she is barking up the wrong tree and diverts herself by renovating the family hall. A drunken Tib almost exposes her secret and scornful mine-owner Christopher Rawson,whose marriage proposal she rejects,tells her that her sexuality is a subject of local gossip. Undeterred Anne meets Ann Walker who becomes her new 'wife' and they open a coal-mine ,living happily together. An end title tells us that Anne Lister died prematurely in 1840 on holiday in Russia.

Sister My Sister

Two young, country sisters (Joely Richardson and Jodhi May) enter domestic service in the bourgeois household of a penurious widow (Julie Walters) and her homely daughter (Isabelle Danzard). Neither pair speaks to the other: two sets of women separated and confined by social convention, personality, and the house itself. The relationship of the sisters slowly evolves into obsession, brought about by isolation and by emotions left from childhood

Tipping the Velvet

This three-part BBC production chronicles with relish the story of Nan Astley (Rachael Stirling, the ravishing image of her mother, Diana Rigg), barely 18, and certain that life holds more for her than her oyster girl's existence. "You'll meet someone who'll have your head spinning and your legs turning to jelly", her sister promises. That someone surprisingly turns out to be "gay and bold" Kitty Butler (Keeley Hawes), a music-hall entertainer with whom Nan falls instantly, and swooningly, in love. Nan follows her to London, where, as a double act, they become the toast of London, until Kitty's "marriage of convenience" breaks up the act and Nan's heart. The outcast Nan, decked out in Victor/Victoria duds, becomes a streetwalker, and then "tart" to the aptly named Diana Leatherby (Anna Chancellor). This affair, too, comes to "a bad end" as a destitute Nan is deposited back on the streets, where she insinuates herself into the lives of Florence (Jodhi May), a social worker, and her socialist brother.